CARIBBEAN TROPESJune 17–21PUBCAST #SELFDESIGN 5
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Caribbean TropesJune 17–21PUBCAST #SELFDESIGN 5
PUBCAST #SELFDESIGN SEE ALLABOUTPUBCAST #SELFDESIGN ABOUT

Audio dancing lessons, readings, music and singing curated by María Mazzanti.

The first edition of Caribbean Tropes was an exploration around Reggaeton, diasporic rhythms and the politics behind them.

With Fatima Ferrari, Nico Roses, Bony Fly, and MC Mustaj.
Curated by María Mazzanti.

PUBCAST #SELFDESIGN 1 April 22-26 Es imposible no puede ser: Learning from Spook Factory PUBCAST #SELFDESIGN 2 May 6–10 Slumming at The Rodeo Gardens PUBCAST #SELFDESIGN 3 May 20-24 The Square Watermelon Show PUBCAST #SELFDESIGN 4 June 3–7 Arguments for Mushroomification
PUBCAST #SELFDESIGN 5 June 17–21 Caribbean Tropes
PUBCAST #SELFDESIGN 6 July 1–5 Are you a boy or a girl? PUBCAST B-Side June 27th

PUBCAST: #SELFDESIGN

#SELFDESIGN is the first PUBcast Series commissioned by DROOG DESIGN.
For 12 weeks, an installation - part scenery, part recording studio and part audio display - will become the production and distribution platform for six podcasts. Creating a sound studio that considers the presence of the body, this production scenario developed by Fabulous Future serves as a decorated shed to research self design notions, where listening is also massaging, recording is relaxing, sharing is caring, watching is commenting, joining is embracing and editing is bonding.

Is self design connected to the neoliberal idea of self-care, entrepreneurship or to an actual reframing and liberation of design as a discipline?

PUBCast is a PUB initiated podcast series challenging the possibilities of audio distribution and publishing as a global communication tool through space and time.

PUB is a trans-department platform initiated by students of the Sandberg Instituut. PUB is a hub to identify interdisciplinary connections and accelerate collaborations amongst students and alumni.

First PUBCast station designed by Fabulous Future
Graphic design by Hannah Valley and Francisca Khamis
Web by Sascha Krischock